Sunday, March 3, 2013

Assignment Sequence


Hi everyone, 

my computer doesn't seem to like the wordpress or headway dashboards.  I can only get onto wordpress and then it freezes...  So, I have written out my assignment sequence which has, in a way, turned into a quasi-lesson plan.  Maybe you all have some editorial suggestions to make it more student-user friendly??

Thanks, 
Hannah


The Internet and Drugs:
Genre, Rhetoric, and New Media
4-Week Assignment Sequence

Week 1  “YouTube, Text, and Genre”

For the first assignment the class will be broken up into four groups.  I will have each student select a playing card from a deck.  The students will be divided according to the suit:  hearts, clubs, spades, and diamonds.  Each student will be required to find a youtube video according to the suit they have drawn. (There will only be as many cards as there are students and, with luck it, will be a number divisible by four: if not, I will find a way to make sure that all the students get to interact with the other suits).  The card suit will determine which “genre” of video the student will be asked to find on youtube: 
·      The hearts will look for drug commercials
·       The spades will look for music videos
·      The diamonds will look for videos from the news or other kinds of video reportage
·      The clubs will look for medically informed or scientifically inflected videos.  The medical or scientific videos SHOULD NOT be commercials, but a researched lecture, a popular documentary, or perhaps even, a purely expository video explain brain chemistry or metabolic processes.

Each video clip should be NO LONGER THAN 8 minutes and NO SHORTER THAN 5 minutes.  The students looking for medical or scientific videos (CLUBS) may have a difficult time finding a video clip of this length.  The CLUBS will be allowed to make a selection from a longer video and will be expected, if they choose to make a selection from a longer clip, to discuss and justify there reasons for making this choice. 

After about 15 or 20 minutes each student will need to have found a video that interests, puzzles, or affects them in some way (which may include levels of disgust, excitement, enjoyment, boredom, anxiety, confusion etc.). Next, the HEARTS will pair off with the DIAMONDS and the SPADES will pair off with the CLUBS into groups of two. 

In the student pairs, the two students will share their videos with the one another, exposing them to one another’s “text” and “video genre.”  Both students should take notes on both video clips and discuss these questions between one another after they have watched both videos.  Students will also be EXPECTED to watch the clips at least three times with these questions in mind: 
·      What does each video look like? 
·      How is the information presented in different ways?  How is it presented similarly? 
·      Who is talking or conveying information? 
·      Who is the information being addressed to?
·      Is there anything odd about the clips or surprising? 
·      How do you react to this clip?  How does it affect you or make you feel?  Again, the answer to this question CAN BE boredom, confusion, disinterest, or even indifference.  Just be prepared to say WHY you feel the way you do. 


After 30 minutes of pair work, the students will free write INDIVIDUALLY for 20 minutes, using their notes, to meditate on these questions.  Importantly, “free writing” means writing non-stop for 20 minutes EVEN IF YOU RUN OUT OF THINGS TO SAY.   The point of the exercise is to get as many of your thoughts, contradictory or no, critical or not, on to the page. The homework as well as next week’s activity will build from the free writing exercise. 

For the remainder of class we will discuss some of the students free writes in order to begin to generate questions, frameworks, and points of confusion that will lead us into the second part of the assignment.

HOMEWORK:
Each student should take their free write and generate at least two questions or confusions that arose as they compared two different video genres.  These questions, perhaps unlike the questions that guided the free write, should address not only the issue of “genre,” but also the relative ways in which “genre” is connected to the presentation of “drug” in the video.  Students should post their questions to the class blog.


Week 2 “Prezi, Diagrams, Multimedia Presentations”

            For the second part of the assignment sequence, the students will begin by changing partners.  This time the HEARTS will pair off with the SPADES and the DIAMONDS will pair off with the CLUBS.  Again, these will be groups of two.  Each student should have two questions they have generated from his or her free write pertaining to two of the four video genres from the pervious week.  Because we have changed groups, all four genres will have been accounted for.  The goal here is that the students will learn to convey information they gathered and learned in the first class to their partner in order to generate a “re-version” of the information into a multimedia presentation in “Prezi.”

            In pairs, each student will construct a paper diagram based on the free write from the previous week.  The students should work together so that together they will generate a diagram that includes ALL FOUR GENRES.  The paper diagram should look to ILLUSTRATE connections between genres, as well as differences and points of divergence.  The diagram SHOULD NOT just summarize the free write, but, rather, should engage in global issues rather than details.  This is NOT just a compare and contrast diagram, but a diagram that should highlight “meta-generic” problems, issues, questions, and effects.  Students should write no more than 150 words per video genre.  The writing should work with other modes of communication (such as images, sound effects, graphs, or links to websites) in order to ILLUSTRATE meta-generic conclusions or confusions, points of connection or “meaning effects.

            The students should end up with a paper diagram of the four genres that they will work together to turn into a PREZI.  This digital tool will help them to resituate they information they have synthesized together into a digital, multimedia presentation.  The student pairs will be expected to include AT LEAST 3 types of media in their presentation of which writing is ONLY one.  Students may embed the original videos they worked with or even, new videos.  However, the embedded video DOES NOT COUNT as one of the 3 modes of media composition.  The video DOES NOT count, because it is the mode or type of media that we have made our “text” and therefore, students should use other modes to make observations about the “text.”  This means that additional videos will add to or complicate the “video texts” we are working with in potentially interesting ways.  Students who make this choice should be prepared to say why they have included more videos and what these “new video texts” do to refine, complicate, or challenge their original texts.  Remember, the original video texts SHOULD NOT BE overwhelmed by new or additional video clips. 

            Part of the PREZI composition will take place in class so that we can discuss the best ways to organize information, how the technology works, how the technology might not work, etc.  This will be part of a class discussion in which each group will be expected to share their experiences, ask a question, or point out a potential problem as they begin to work with this presentation format and organize their thoughts about video texts, genres, and the representation of drugs in digital contexts.

HOMEWORK:
Depending on how long the PREZIS take to compose, I will most likely ask the students to finish their PREZIS together outside of class.  Additionally, students will be asked to post at least 250 words to their student blogs.  These posts shoul make observations or ask questions that offer “meta-commentary” or make some “meta-cognitive” contribution.  Ideally, these blog posts, rather than addressing the content of their PREZIs or free writes, will focus on the experience of using “YouTube” to find “video texts,” as well as the process of using PREZI to make a multimedia presentation.  As they write their blog posts, questions or observations, students should think about:
·      How YouTube presents information?
·      Where does this information come from? 
·      Who watches these videos?
·      What are the copyright laws? 
·      How do you properly “cite” a “YouTube” video? 
·      How does Prezi compare to other multimedia software? 
·      What advantages or disadvantages does Prezi offer?
·      Who runs Prezi?  Is it private or open source AND what difference does it make? 
·      What did you find confusing about Prezi?  Are there some icons, cues, or menus that were difficult to use or hard to understand? 

Week 3 “Presentations, Peer Review, Class Wiki”

            For the third week of this assignment sequence, the student pairs will present their PREZI for the class, focusing on public speaking and presentation skills.  These skills include:
·      Presenting with your partner NOT for them
·      Using PREZI to help communicate information while you are talking, rather than either reading from the PREZI slides, or not talking at all.  PREZI is a tool, not a robot substitute for a public presentation
·      Presenting the information in a clear, organized fashion.  This does not mean that the presentation has to be a paper or that you have to have “an argument.”  Rather, this means that everyone in the class should be able to follow the story you and your partner are telling about each video genre AND how each of these stories might begin to provide a “meta-story” or “meta-narrative” about video texts, genres, and drugs in general.  REMEMBER: there are no right or wrong answers. 

Following each presentation, all the students, including the pair who has presented, will write a peer review evaluation.  This short exercise will be 250-500 words in which I expect each student to provide:
·      A summary of the presentation in terms of “stories” or “narratives”
·      What stories did the presentation tell about each of the four genres of video text?
·      What meta-story did the presentation tell about videotexts, genres, and drugs in general?
·      What worked in the presentation?  What didn’t work?
·      Was the PREZI effective at conveying information? 
·      Did the students make good use of different forms of media or communication? 
·      What did you learn that was new?  What had not previously occurred to you? 

The peer review response, which should take no more than 10-15 minutes based on the rubric above, will not be used to evaluate the student presentations, but rather, to help the class, as a whole, formulate a more general understanding of genre, videotext, metanarrative, rhetoric and drugs in general.  The goal here is not just to think about what a “good presentation” looks like (though this is indispensible), but also to begin to synthesize the data that we have gathered, critiqued, and analyzed as a class. 

In the format of a general discussion, the class as a whole (during class time) will collaboratively generate a “class wiki.”  The goal of this “re-versioning” moment will be to take all the information from the group presentations and peer review responses in order to create an open access, online space in which, as a class, we refine information and draw conclusions together.  The “class wiki” will be contain:
·      a page discussing genre
·      a page discussing videotext
·      a page discussing metanarrative and narrative
·      a page on rhetoric
·      a page on drugs

The goal here is not so much to make a totalizing argument or definitive judgment on any of these categories.  Rather, this wiki is designed to gather together all of our observations as a class in a way that begins to thematize the conceptual issues we have been working with for the past three weeks. 

HOMEWORK:
For homework this week, students should familiarize themselves with the Class Wiki and add at least two observations or questions that occur to them or information that seems to be missing from our observations.  Additionally, students should return to YouTube and select a video for their final project.  Students are more than welcome to return to one of the original videos they watched in the first week or any other video that has shown up over the course of the assignment sequence. 
The video for the final project must:
·      fit into one of the four genres of videotext from the first week
·      must, by extension, discuss, address or tell a story about “drugs” in some way
·      not be no longer than 8 minutes and no shorter than 5 minutes


Week 4 “Reading, Research, Paper”

            The final week in this assignment sequence is designed to make the students realize that each week, as a class or in groups, we have ALREADY been engaged “reading, research, and paper writing” practices.  This week will be about how we understand the value of each step and, simultaneously, how, as we begin to write, each student will use the class blog, the prezi presentations, and the class wiki as a RESOURCE for their own papers.  All these digital spaces have become permanent archives of:

1) how a “videotext” might or should be read;
2) what kinds of generic expectations or “meaning-effects” a genre might make; and 3) the critical language we have developed in common, as a class, for understanding “metanarratives” and the position of a given “genre” of “videotext” in a broader, cultural field of drug rhetorics.
           
For the first step each student will “read” the video that they have selected for their final project.  The “reading” should not just be focused on genre or content, but should pay particularly close attention to the details of this video. 
·      How is it sequenced? 
·      What story does it tell? 
·      Does music play a part in the video?  If so how and to what effect? 
·      Who is featured in the video?
·      Who is speaking and to whom? 

Each student should produce 250-500 words that informally document these detailed “readings” of the “videotext,” keeping in mind that the “details” are the building blocks for “story,” “genre,” and the “metanarrative” concerns you WILL BE tracking.  Students should include at least a sentence on how they are beginning to formulate connections between specific details of the video clips and how they relate to or illustrate the broad rhetorical strategies we have identified. 


            For the next step the students will be “researching” more explicitly than we have in previous weeks.  After they have produced a “reading” of the video for their final project, they will need to think more in depth about the “context” of the video.  Context includes social, political, economic, and historical considerations, beginning with “where does this video originally come from?”

            In the “research” portion of this assignment, students will be asked to perform two different modes of research:
1)                    What are the social, political, economic, and historical contexts of this videotext?  How was it originally received and what effects has it had?
2)                    What is the digital context of this video?  Who originally made it?  Who posted it to YouTube?  Is it a pirated video?  Where was it originally broadcasted or shown?  How many YouTube views does it have?  What sort of advertisements and related videos accompany it?

For this portion of the assignment, the students will begin to think through and track down issues in class.  Obviously, they will only have a limited amount of time to conduct these investigations, but, at the minimum, they should be able to answer the specific questions above. 

HOMEWORK:
            Students should continue the researching the video for their final projects.  The research outside of class should be aim to connect the broader contextual questions to the video’s “meaning-effects.”  This does not merely mean connecting a detail from the video to, for instance, a political or social context; rather, it means understanding the political or social context as part of what conditions the “meaning-effects,” understanding the political and social context as in some way generating the rhetoric of the videotext. 
            Again, research does not have to be exhaustive, but it should at least be able to understand what the material conditions, historical moment, and digital context are for the videotext. The students should write 500 words summarizing their research findings and post it to the class blog.  Students should be starting to make connections between the videotext AND the researched contexts, citing at least four different sources NOT INCLUDING the YouTube videotext.

FINAL PROJECT
            In the final sequence of this assignment, the students will pull together the 500 word “reading” of their videotext, the 500 word “research” summary of context, and the information gathered on the Class Wiki.  The paper should be no longer than 1000 words, so, given that they have already produced 1000 words they will need to “re-version” their reading and research responses in order to incorporate the conceptual and critical language we have developed as a class on the Wiki. 

            In class we will work on emphasizing connections between the reading and research responses both individually and as a group.  Once we have draw out some of these connections more explicitly, students will be asked to formulate these connections in our shared conceptual and critical language.  Students will be required to do a free write, draw a diagram, or write a more formal response (which ever technique they prefer) for 20-30 minutes.  We will discuss a few examples in class and attempt to emphasize, in one sentence, a statement that brings together and makes an observation or argument about the videotext in terms of reading, research, and critical language.

HOMEWORK:
Students should “re-version” their reading and research findings into 1000 word paper based on and beginning with the one sentence, synthetic statement developed in class.  The best papers will make explicit connections between the details of the videotext, the contextual conditions of the videotext, and the over arching critical language in order to describe rhetorical practices that combine to represent the drug.  All papers should be able to address in some manner this question: 
In what way do genre and context shape our conception of the drug both in the videotext and in general?

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