Sunday, March 17, 2013

Draft of 101 Syllabus


Hi everyone, 
after a rather epic battle with technology today (in which I was unable to get my wordpress and headway dashboards to not crash my computer), I have generated a draft of my syllabus...I realize now that I have forgotten things like "course description" and "course requirements" etc... So I guess i will work on getting those together for tomorrow.  




Hannah Markley                                                                                 ENG 101-104
Office Hours: Tues. 1-4 pm                                                               Tues./ Thurs.
Office: Callaway                                                                                 5:30pm – 6:45pm
Email: hmarkle@emory.edu                                                               



The Rhetorics of Drugs

[COURSE DESCRIPTION]

[COURSE REQUIREMENTS]

[REQUIRED TEXTS]

[GRADING POLICY]
LATE PAPERS

[ATTENDENCE POLICY]

The Internet and Drugs:  Genre, Rhetoric and New Media
4-Week Assignment Sequence
Thurs.  Aug 29:  Discuss Syllabus and Opening Remarks.
-       watch four YouTube clips together and define four different genres
-       divide into groups four groups based on these genres

HOMEWORK: 
1) Find a YouTube videotext from the genre assigned to your group.
2) Post a brief description of your videotext to the class blog, explaining why you think it belongs to your generic category

Tues.  Sept. 3:  “YouTube, Text, and Genre”
-       pair off into groups of 2 based on genre and share videotexts between partners. 
-       Twenty minute free write identifying and comparing the two different genres of videotext. 
-       Class discussion based on questions or points of confusion generated by the free writes

HOMEWORK:
1)    Using your free write, post to the class blog at least two questions or points of confusion that arose when you were comparing the two different videotext genres.  These questions should also begin to address the ways in which genre is connected to the representation of the drug in the video.





Thurs. Sept. 5:  “Prezi, Diagrams, and Multimedia Presentations”
-       switch partners so that every pair has a free write and questions based on the four different genres
-       each pair should construct a paper diagram that includes all four genres
-       begin working with Prezi and discuss questions or problems with the format

HOMEWORK:
1)    Finish making your Prezi with your partner outside of class.  The Prezi should be based on the diagram you have done together in class. 
2)    Post to your class blog 250 words, making observations and asking questions that offer some meta-commentary or make some meta-cognitive contribution.  Ideally, rather than addressing the content of your Prezi or free write, you will focus on the experience of using YouTube to find videotexts, as well as the process of using Prezi to construct your multimedia presentation.

Tues. Sept. 10:  “Presentations and Peer Review”
-       student presentations using Prezi (5-10 minutes/ pair)

HOMEWORK:
1)    for each presentation, including the pair who has presented, write a 250 word peer evaluation:  What stories did the presentation tell about each of the four genres of videotext?  What metastory did the presentation tell about videotexts, genres, and drugs in general?  What worked in the presentation?  What didn’t work? 
2)    These responses should be turned in IN CLASS, rather than posted to the class blog. 

Thurs. Sept. 12:  “Class Wiki”
-       the class as a whole will collaboratively generate a class wiki, building from the terminology we explored and discovered in the peer review responses,             including AT LEAST: genre, videotext, metanarrative, narrative, rhetoric, and drugs. 
-       The goal is to thematize the conceptual issues we have been working with for the past few weeks and gather together all the data we have generated in pairs. 

HOMEWORK:
1)    Familiarize yourself with the class wiki and add at least two observations, questions, or pieces of information that see to be missing.
2)    Return to YouTube and select a videotext for your final project.  You are welcome to return to one of the original videos you watched in the first week or any other video we have discussed in class. 
3)    Your videotext for your final project MUST: fit into one of the four genres, discuss, address, or tell a story about drugs in some way, and should be no longer than 8 minutes (no shorter than 5 minutes). 



Tues. Sept. 17:  “Reading and Research”
-in class, “read” your videotext and write 500 words, documenting a “detailed” reading, keeping in mind that the “details” are the building blocks for story, genre, and the meta narrative concerns you will be tracking. 
- discussion in class of readings, context, and “research parameters”

HOMEWORK:
1)    conduct two different “modes” of research:  what are the social, political, and historical contexts of your videotext and how was it originally received?  What is the digital context of this videotext?  Who made it? Who posted it?  Where did originally air? 
2)    Write 500 words summarize these contexts for your video.  Aim to connect the broader contextual questions to the videotext’s meaning-effects.  This does not merely mean connecting a detail from the video to a political or social context; rather, it means understanding the political or social context as part of what conditions the meaning-effects and the rhetoric of the videotext. 

Thurs.  Sept. 19:  “Paper”
-       bring to class your 500 word “reading” and 500 word “research” findings. 
-       Discuss proper citation and generate bibliographies of sources
-       Free write based on the readings and research using either a diagram or full sentences.  Situate the free write in terms of the critical and conceptual language from the class wiki
-       Make any additions to the class wiki necessitated by reading and research findings

 HOMEWORK:
1)    Reversion your reading and research findings into a 1200 word paper based on the connections made in your free write in class.  The best papers will make explicit connections between the details of the videotext, the contextual conditions of the videotext, and the over arching critical language in order to describe rhetorical practices that combine to represent the drug.  All papers should be able to address in some manner this questions:
           
In what way do genre and context shape our conception of the drug both in the videotext  and in general? 

Cinematic Heroin:  Representation, Rhetorical Productions, and the Entertainment Industry
Tues. Sept 24:  First Paper Due. 
-       SCREENING:  Human Traffic or Requiem for a Dream (TBA)
Class will go late this evening.  If you are unable to stay for the whole screening you will be asked to finish the film outside of class. 

HOMEWORK:
1)    make an observation or ask a question on the class blog about the film.


Thurs. Sept. 26:  “Sequence Analysis”
-       we will break up into four groups
-       each group will be responsible for a different aspect: music, blocking, gestures/facial expressions, and shot framing
-       we will watch the same clip from the film and each group will focus on one of these aspects connecting them to the plot of the film, general themes, and narrative strategies
-       as a class we will discuss and share this information to see how all of these aspects fit together

HOMEWORK:
Read David Boothroyd “Cinematic Heroin and Narcotic Modernity”
This essay is very difficult.  Please post questions, confusions, things you don’t understand, etc. to the class blog.  Are there points of connection with the film?  With your portion of the sequence analysis?

Tues.  Oct. 1:  “Representation and Drugs”
-       discussion of Boothroyd in terms of the sequence analysis and other general observations
-       define conceptual, critical, and technical terms as a class

HOMEWORK:
Find a film or television episode of your choice.  This will become the text you will work with for this assignment, so choose something fun and relevant to your interests.  It should “represent drugs” in some way. 

Thurs. Oct 3:  “Representation and Drugs”
-       share the film or episode that is your text. 
-       Write a summary in class of your text, highlighting the most important or most interesting moment that illuminates some aspect of representation through drug rhetoric. 
-       class discussion

HOMEWORK:
1)    From the class free write, focus on the “most interesting scene” and give a detailed, thoughtful summary of this moment.  This will become your sequence so it is important to be detailed.  Post this mini-sequence summary to the class blog.

Tues. Oct. 8:  “Individual Sequence Analysis”
-       in pairs discuss the mini-summary of your sequence
-       as a group we will discuss some aspects of these summaries and will look at a few sequences as examples (depending on availability) and begin to make “sequence analysis” observations in terms of music, blocking, gestures/facial expressions, and shot framing.




HOMEWORK:
Do a sequence analysis of your text, focusing on a specific scene.  The analysis should cover all of four aspects and begin to connection them to the thematic concerns. 

Thurs.  Oct. 10:  “Peer Review of Sequence Analysis”
-       in groups of two partners will read and review one another sequence
analysis, even if they are not familiar with the text. 
-       class discussion working to thematize some of the general points of connection between rhetorical tactics, representation, and drug-effects in cinema

HOMEWORK:
Begin to look into the context of your text, including social, historical, and political contexts of the drug and its effects.  Write 500 words giving a description of these contexts and post it to the class blog. 

Tues.  Oct 15:  “Peer Review of Research and Context”
-       in pairs you will discuss with your partner the researched contexts of your text. 
-       Work on a diagram that begins to illustrate the connections between the text, the sequence analysis, and the context. 

HOMEWORK:
Finish working on your diagram and write a blog post that lists and defines the metanarrative connections between your text, sequence analysis, and context in terms of critical and conceptual language. 

Thurs.  Oct. 17:  Student Presentations
-       each student will give a 5-10 minute presentation on their diagram.  You may use a paper diagram or a Prezi format, but be prepared to account for all the information effectively. 

HOMEWORK:
Write a peer review response to each student presentation, focusing on the rhetorical tactics and drug representations that they have articulated.  What have you learned?  What might they be missing or not noticing?  TURN the RESPONSE in IN CLASS. 

Tues.  Oct. 22:  Student Presentations
-       we will finish student presentations and discuss some of the responses if we    have time. 

HOMEWORK:
Write a peer review response to each student presentation, following the parameters above to be turned in IN CLASS. 




Thurs. Oct. 24:  Responses and Discussion
-       based on peer review responses, each student will begin to thematize their thesis based on their presentation of text, context, and sequence analysis in terms of our critical and conceptual language
-       we will workshop thesis in pairs and then as a group. 

HOMEWORK:
Begin writing your paper.  You should draw on all the materials we have generated and organize your paper in terms of your thesis.  This is a DRAFT.  It need not be perfect, but it should be TURNED IN for CLASS on Tuesday.

Tues.  Oct. 29:  Revision and Peer Review
-       in pairs each student will read and workshop one another’s papers
-       class discussion of drafts and workshoping tactics. 

HOMEWORK:
Revise your draft based on the peer review process and our workshop discussion. 

Thurs.  Oct. 31: FINAL Draft of Papers DUE
                        -this class will be a discussion of our critical and conceptual language.  What                       does cinema tell us about rhetoric, drugs, politics, history, and society?  Why                do they hold such a strange place in the entertainment industry?
                       
                        HOMEWORK:
Read Michael Pollen “Desire: Intoxication/ Plant: Marijuana.”  From The Botany of Desire. 

Writing On Drugs:  Styles, Tones, and Affective Modes
Tues. Nov. 5:  Genres of Writing
                        -read together and discuss Samuel Taylor Coleridge’s “Kubla Khan”
                        - discuss the Pollen article
                        - how are these different?  What are they each staging and in what context?                         Who is the audience?

                        HOMEWORK:
1)    Walter Benjamin “Hashish in Marsaille”
2)    Post to the class blog two questions or observations that relate the Benjamin to either Coleridge or Pollen (or both). 

Thurs. Nov. 7: Genres of Writing
-       in pairs discuss the differences similarities and rhetorical strategies of all three texts (Benjamin, Coleridge, and Pollen)
-       class discussion we will define these parameters on the class wiki, with particular attention to style, tone, and affect. 

HOMEWORK:
Write a 500 word response using the parameters we defined that discusses one of the three texts.  Pay special attention to textual details, word choices, and rhetorical strategy.  What is the author trying to do and what is the role of the “drug” in this strategy?  Post to the class blog. 

Tues. Nov. 12:  Choosing Texts
-       you will decide which genre you would like to spend more time with: literature, sociological non-fiction, or historical/theoretical essay
-       we will have a list of recommend texts from which you might choose, or if you have something you have found on your own this may be acceptable
-       we will discuss in pairs in a general sort of way, what the genre the text you have chosen falls into and what expectations that might entail. 

HOMEWORK:
Begin reading your text of choice.  Prepare a paragraph to be read in class of your initial observations. 

Thurs. Nov. 14: Sharing Texts
-       we will share our initial reactions to our texts which 1) means summarize and 2) discuss generic conventions and context
-       in pairs discuss your text with your partner in terms of generic conventions, tone, rhetorical choices, and affective modes (how does it make you feel, how does the author feel?)  How do you know?

HOMEWORK:
You should continue reading with the goal of finishing your text for class on Tuesday.  Begin to formulate a summary of the text as a whole what is it about?  How does it fit into a genre?  Post a synopsis to your blog.

Tues. Nov. 19: Literature Reviews
-       in class we will discuss what a literature review looks like
-       each student should begin researching their text, looking to find who else has written about it, what has been said, and how this relates more broadly to the rhetorical effects or tactics. 

HOMEWORK:
Complete your literature review which should be around 500-800 words.  IT will be longer than normal summaries, because you are summarizing more arguments.  Be careful to cite appropriately. 

Thurs. Nov 21:  Thesis Writing
-based on a summary of your text, your general understanding of how it works and represents drugs, to formulate a claim or a generalization in terms of critical and conceptual language (genre, tone, style, affect, rhetoric, metanarrative etc). 
- situate thesis sentence in terms of your literature review.   Where does it fit?  Does it fit?  Is it in conversation or adding to someone else’s claim? 
- we will discuss and workshop these issues. 

HOMEWORK:
Refine your thesis in terms of literature review and the critical conceptual language.  Post your refined thesis to the class blog. 
Tues.  Nov. 26:  Thesis and Concept Mapping
-       draw diagrams that illustrate the thesis by picking out specific moments from the text and showing how they prove or help you to explain your thesis in terms of a general thought about drugs, rhetoric and literature. 
-       Share with a partner and look for any thing which is difficult to explain or challenging your original claim.

HOMEWORK:
Over the break you should start to write paragraphs that are based on your concept map and diagram.  The paragraphs need not be connected, but you should have at least 4 paragraphs that explain your thesis through a moment from the text, focusing on rhetorical strategy and representation of the drug. 

Thurs. Nov. 28: THANKSGIVING NO CLASS

Tues. Dec. 3: Revision
-       in pairs using the paragraphs you have written, explain each piece of your argument to your partner.   Is it clear how they are connected?  Can you explicitly state how they are connected?
-       Formulate transitional sentences that make explicit the connections between paragraphs. 

HOMEWORK:
Begin to pull together your paper based on the literature review, your diagram, paragraphs, and the transitional sentences.  Bring your draft to the next class.

Thurs. Dec. 5: Student Presentations and Feedback
-       each student will present their paper based on their draft.  They may read no more than a paragraph and are responsible for describing and explain the rest of their argument informally
-       we will give general feedback as a group that is geared toward ironing out a final draft. 

Tues. Dec. 10:  Student Presentations and Feedback
                        -we will finish student presentations and feedback on drafts. 
                        FINAL PAPERS DUE DEC 12




                        

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